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	SchenkerGuide : Bibliography : Author Title Publisher Cover Buy from Amazon - Pankhurst, Tom SchenkerGUIDE: A Brief Handbook and Web Site for Schenkerian Analysis New York: Routledge, 2008 Agawu, Victor Kofi Schenkerian Notation in Theory and Practice Music Analysis, Vol. 8/1-2 (1989), pp. 275-301     Almen , Byron Prophets of the Decline: The Worldviews of Heinrich Schenker and Oswald Spengler Indiana Theory Review , Volume 17/1, Spring 1996     Ayotte, Benjamin Heinrich Schenker: A Guide to Research Routledge, 2003   Ayrey, Craig Berg's "Scheideweg": Analytical Issues Music Analysis, Vol. 1/2 (1982), pp. 181-201     Baker, James Post Tonal Voice-Leading Early C20 Music (ed. J. Dunsby), Oxford: Blackwell, 1993, pp. 20-41   Beach Motif and Structure in the Andante movement of Mozart Piano Sonata K.545 Music Analysis, Vol. 3/3 (1984), pp. 227-42     Beach, David Schenkerian Theory Music Theory Spectrum, Vol. 11/1 (1989), pp. 3-14     Beach, David The Cadential Six-four as Support for Scale-degree Three of the Fundamental Line Journal of Music Theory 34, 81-99     Beach, David The fundamental line from scale degree 8: Criteria for evaluation Journal of Music Theory, USA, Vol. XXXII/2 (fall 1988) pp. 271-94     Beach, David A Schenker Bibliography Journal of Music Theory, Vol. XIII/1 (spring 1969), pp. 2-37     Beach, David A Schenker Bibliography: 1969-79 Journal of Music Theory, 1979, pp, 275 -282.     Beach, David The Current State of Schenkerian Research Acta Musicologica, 57(1985), 275-307     Beach, David Phrase Expansion: Three Analytical Studies Music Analysis, 14/1 (1995), 27-47     Benjamin, William E. Schenker's Theory and the Future of Music Journal of Music Theory, Vol. 25/1 (1981), pp. 155-173     Berry, David Carson A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices Pendragon Press   Blasius, Leslie D. Schenker's Argument and the Claims of Music Theory CUP, 1996 Brower, Candace 'A Cognitive Theory of Musical Meaning' Journal of Music Theory, 44/ii (2000), pp. 323-372.     Brown, Matthew Review of Siegel, Schenker Studies and Cadwallader, Trends in Schenkerian Research Music Theory Spectrum, Vol. 13/2 (1991), pp. 147-178     Brown, Matthew The Diatonic and the Chromatic in Schenker#s Theory of Harmonic Relations Journal of Music Theory, Vol. XXX/1 (spring 1986), pp. 1-33     Browne, Richmond Initial readings in Schenker In Theory Only, Vol. I/1 (April 1975), pp. 4-5     Broyles, Michael Review of Rothgebs tr. of Schenker's 9th Symphony monograph Music Theory Spectrum, Vol. 16/1 (1994), pp. 139-144     Burkhardt, Charles Schenker's Motivic Parallelisms Journal of Music Theory, 22/2 (1978), 145-75     Burstein, L. Poundie Comedy and Structure in Haydn's Symphonies Schenker Studies 2 (Schachter, Carl; Hedi Siegel eds.) Cambridge: CUP, 1999.     Burstein, L. Poundie Surprising Returns: The VII# in Beethoven's Op. 18, No. 3, and its antecedents in Haydn Music Analysis, Vol. 17/3 (1998), pp. 295-312.     Burstein, L. Poundie Devil's Castles and Schubert's Strange Tonic Allusions Theory and Practice, Volume 27 (2002), pp. 87-102     Burstein, L. Poundie A New View of Tristan: Tonal Unity in the Preludee and Conclusion to Act I Theory and Practice, Volume 9 (July-December, 1984), pp. 15-42.     Cadwallader , Allen Schenker's Unpublished Graphic Analysis of Brahms's Intermezzo Op. 177, No. 2: tonal Structure and Concealed Motivic Repetitio Music Theory Spectrum , Volume 6, 1984     Cadwallader, Allen More on Scale Degree Three and the Cadential Six-Four Journal of Music Theory, Vol. XXXVI/1 (spring, 1992), pp. 187-198.     Cadwallader, Allen Foreground Motivic Ambiguity: Its Clarification at the Middleground Levels in Selected Late Piano Pieces of Johannes Brahms Music Analysis, Vol. 7/1 (1988), pp. 59-92     Cadwallader, Allen Prolegomena to a General Description of Motivic Relationships in Tonal Music Integral 2 (1988), 1-35     Cadwallader, Allen (ed.) Trends in Schenkerian Research New York: Schirmer, 1990   Cadwallader, Allen, Gagne, David Analysis of Tonal Music: A Schenkerian Approach Oxford, 1988 Cadwallader, Allen, William Pastille Schenker's High-Level Motives Journal of Music Theory, Vol. XXXVI/1 (spring, 1992), pp. 119-148     Cavett-Dunsby, Esther Schenker's Analysis of the Eroica Finale Theory and Practice, Vol. XI (1986), pp. 43-51.     Cheong, Wai-Ling Structural Coherence and the Two Key Scheme: A Study of Selected Cases from the C19 (MA Diss.) Cambridge, 1988     Cherlin, Michael Hauptmann and Schenker: Two Adaptations of Hegelian Dialectics Theory and Practice, Vol. XIII (1988), pp. 115-131.     Chew, Geoffery The Spice of Music: Towards a Theory of the Leading Note Music Analysis, Vol. 2/1(1983), pp. 35-53     Cinnamon, Howard 3rd-Related Harmonies As Elements Of Contrapuntal Prolongation In Some Works By Franz Liszt In Theory Only, Vol. 12/5-6 (1992), pp. 1-30.     Cinnamon, Howard E Major Tonality as Dominant or Mediant in Chopin's Op. 10/1: Schenker's Graphs from Free Composition Reconsidered Indiana Theory Review , Volume 15/1, Spring 1994     Clark, W. Heinrich Schenker on the Nature of the 7th Chord Journal of Music Theory, Vol. 26 (1982), pp. 221-259     Cohn, Richard The Autonomy of Motives in Schenkerian Accounts of Tonal Music Music Theory Spectrum, Vol. 14/2 (1992), pp. 150-170     Cohn, Richard Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes Music Theory Spectrum, Vol. 22/1 (2000), pp. 89-103     Cohn, Richard. Schenker's Theory, Schenkerian Theory: Pure Unity or Constructive Conflict? Indiana Theory Review, Vol. 13 pp. 1-19     Cook, N. Heinrich Schenker Polemicist, a Reading of the Symphony No. 9 Monograph Music Analysis, Vol. 14 (1995)     Cook, Nicholas Schenker's Theory of Music as Ethics Journal of Musicology, Vol. 7/4 p. 414 - 39     Cook, Nicholas 'Schenkerian Analysis' A Guide to Musical Analysis, Oxford: OUP, 1987   Cube, Felix-Eberhard von., (Trans. ed. D. Neumeyer, G. Boyd, S. Harris) The Book of the Musical Artwork: An Interpretation of the Theories of Heinrich Schenker, Lewiston, NY: Edwin Mellen Press, 1987   Cumming, Naomi Critical Forum on Narmour's Theory of Melody Music Analysis, Vol. 11/2-3 (1992), pp. 354-374     Damschroder, David Allen Structural Levels: A Key to Liszt's Chromatic Art College Music Symposium, Vol. XXVII (1987), pp. 46-58     Drabkin, William A Lesson in Analysis from Heinrich Schenker: The C-major Prelude from Bach's Well-Tempered Clavier, Book 1 Music Analysis, Vol. 4/3 (1985), pp. 241-58     Drabkin, William Schenker, the Consonant Passing Note, and the First-Movement Theme of Beethoven's Sonata op. 26 Music Analysis, Vol. 15/2-3 (1996), pp. 149-189     Dubiel, Joseph When you are Beethoven: Kinds of Rules in Schenker#s Counterpoint Journal of Music Theory, Vol. XXXIV/2 (autumn, 1990), pp. 91-340     Dunsby, Johnathan; Whittall, Arnold Schenker the Theorist; Schenkerian Analysis and Developments of Schenker in Music Analysis: In Theory and Practice, London: Faber & Faber, 1988.   Dunsby, Jonathan Recent Schenker: The Poetic Power of Intelligent Calculation (or The Emperor's Second Set of New Clothes) Music Analysis, Vol.18/2 (1999), pp     Dunsby, Jonathan Heinrich Schenker and the Free Counterpoint of Strict Composition review-article on Heinrich Schenker, Free Composition (New York: Longman, 1979), RMA Research Chronicle, 16, 140-48     Dunsby, Jonathan Recent Schenker: The Poetic Power of Intelligent Calculation (or The Emperor's Second Set of New Clothes) Music Analysis, Vol. 18/2     Dunsby, Jonathan, John Stopford The Case for a Schenkerian Semiotic Music Theory Spectrum, Vol. 3 (1981), pp. 49-53     Ellis, John S. A Narrative Analysis of Schumann’s Kinderszene Musical Semiotics Revisited (ed. Eero Tarasti), Acta Semiotica Fennica XV, Helsinki: International Semiotics Institute, 2003.     Ellison, Paul M. Beethoven and Schenker: Unraveling Those Graphs, with an Explanation of Schenker's Analysis of the Ode to Joy Beethoven Journal 16/2 (2001), pp. 69-73.     Everett, Walker Grief in Winterreise: A Schenkerian Perspective Music Analysis, Vol. 9/2 (1990), pp. 157-175     Federhofer, Hellmut Fux's Gradus ad Parnassum as Viewed by Heinrich Schenker Music Theory Spectrum, Vol. 4 (1982), pp. 66-75     Forte, Allen Schenker's Conception of Musical Structure Journal of Music Theory, Vol. 3 (1959), pp. 1-30     Forte, Allen Motivic design and Structural Levels in the First Movement of Brahms's String Quartet in C minor Music Quarterly, vol.69 (1983b), pp.471-502     Forte, Allen Generative Chromaticism in Mozart's Music: the Rondo in A minor, K. 511 Musical Quarterly, Vol. LXVI/4 (October 1980) p. 459-83     Forte, Allen Letter defending himself from Snarrenberg's attack in Competing Myths... Music Analysis, Vol. 17/2 (1998), pp.261-263     Forte, Allen, Gilbert, Steven, Introduction to Schenkerian Analysis New York. 1982 Fux, Johann Joseph; Alfred Mann (Tr.) The Study of Counterpoint London: Norton, 1965 Gagne, David The Place of Schenkerian Analysis in Undergraduate and Graduate Curricula Indiana Theory Review , Volume 15/1, Spring 1994     Graybill, Roger Harmonic Circularity in Brahms's F major Cello Sonata: An Alternative to Schenker's Reading in Free Composition Music Theory Spectrum , Volume 10, 1988     Hanford, Lisa A New Model for Pitch Motion in Tonal Music Music Analysis, Vol. 6/1-2 (1987), 133-167     Hatten, Robert Beyond Schenkerism: The Argument and the Alternative Indiana Theory Review , Volume III, Number 1, Fall 1979     Hubbs, Nadine Schenker's Organicism Theory and Practice, Volume 16, 1991     Jan, Steven B. X Marks the Spot: Schenkerian Perspectives on the Minor-Key Classical Development Section Music Analysis, Vol. 11/1 (1992), pp. 37-54     Jonas, Oswald Introduction to the Theory of Heinrich Schenker: the Nature of the Musical Work of Art New York: Longman, 1982   Kassler, Jamie C. Heinrich Schenker#s Epistemology and Philosphy of Music... The Wider Domain of Evolutionary Thought (Oldroyd and Langham eds.), Dordrecht: Riedel, 1983     Keiler, Alan The Empiricist Illusion: Narmour's Beyond Schenkerism Perspectives of New Music, Vol 17/1 (1978)     Keiler, Alan 'The Empiricist Illusion: Narmour's Beyond Schenkerism' (Review of Narmour) Perspectives of New Music, Vol 17/1 (1978)     Keiler, Allan The Origins of Schenker's Thought: How Man is Musical Journal of Music Theory, Volume 33, Number 2, Fall 1989     Komar, Arthur The Pedagogy of Tonal Hierarchy Theory Only, 10/5 (pp. 23-8)     Korsyn , Kevin Schenker and Kantian Epistemology Theoria, Vol III (1988) pp. 44-50     Korsyn , Kevin Schenker#s Organicism reexamined Integral , Vol,     Krebs, Harald The Background Level in some Tonally Deviating Works of Franz Schubert In Theory Only, Vol. VIII/8 (December 1985), pp. 5 - 18     Krebs, Harald The Background Level in some Tonally Deviating Works of Franz Schubert In Theory Only, Vol. VIII/8 (December 1985), pp. 5 - 18     Larson, Steve Questions about the Ursatz: A Response to Neumeyer In Theory Only, Vol. X/4 (December 1987), pp. 11 - 31     Larson, Steve Schenkerian Analysis of Modern Jazz: Questions About Method Music Theory Spectrum, Volume 20, Number 2, Fall 1998     Laskowski, Larry Heinrich Schenker, an Annotated Index to his Analyses of Musical Works: Compiled and Annotated by Larry Laskowski New York   Laufer, Edward Voice-Leading Procedures in Development Sections Studies in Music from the University of Western Ontario 13 (1991), pp. 69-120     Laufer, Edward On the First Movement of Sibelius's Fourth Symphony: A Schenkerian View Schenker Studies Two (Schachter & Siegel ed.), CUP, 1999, pp. 127-159     Lerdahl, F.R. Jackendoff A Generative Theory of Tonal Music Cambridge (Mass.): MIT, 1983 Littlefield, Richard, David Neumeyer Rewriting Schenker: Narrative - History - Ideology Music Theory Spectrum, Vol. 14/1 (1992), pp. 38-67     London, Justin; Ronald Rodman Musical Genre and Schenkerian Analysis Journal of Music Theory, Volume 42, 1998     Lubben, Joseph Schenker the Progressive: Analytic Practice in Der Tonwille Music Theory Spectrum, Vol. 15/1 (1993), pp. 59-75     Maisel, Arthur Talent and Technique: George Gershwin's Rhapsody in Blue Trends in Schenkerian Research (A. Cadwallader ed.), New York: Schirmer, 1990     Mckee, Eric Auxilliary Progressions as a Source of Conflict Between Tonal Structure and Phrase Structure Music Theory Spectrum, Vol. 18/1 (1996), pp. 51-76     McNamee, Ann The Introduction in Schubert's Lieder Music Analysis, Vol. 4/1 (1985), pp. 95-106     Meeus, Nicolas Heinrich Schenker: Une Introduction Liege, Mardaga,1993     Montgomery, Kip Schenker and Schoenberg on Harmonic Tonality Indiana Theory Review, Volume 15/1, Spring 1994     Morgan, Robert P Dissonant Prolongations: Theoretical and Compositional Precedents Journal of Music Theory, Vol. XX/1 (spring 1976), pp. 49-91     Musgrave, Michael Review of Der freie Satz Music Analysis, Vol. 1/1 (1982), pp. 101     Narmour, Eugene Beyond Schenkerism: The Need for Alternatives in Musical Analysis Chicago, 1977   Neumeyer, David Fragile Octaves, Broken Lines: On Some Limitations of Schenkerian Theory and Practice In Theory Only, Vol. XI/3 (July, 1989), pp. 13 - 30.     Neumeyer, David The Ascending Urlinie Journal of Music Theory, Vol. XXXI/2 (fall 1987) 275-303     Neumeyer, David The Three-Part Ursatz In Theory Only, Vol. X/1-2 (August 1987), pp. 3 - 29     Neumeyer, David The Urlinie from 8 as a middleground phenomenon In Theory Only, USA, Vol. IX/5-6 (January 1987), pp. 3-25     Neumeyer, David Ursatz: The Musical Philosophy of Heinrich Schenker (PhD diss.: Cornell U1985) 188 p. [DA 8525718]     Neumeyer, David A Guide to Schenkerian Analysis Prentice Hall, 1992 Nicholas Cook At the Borders of Musical Identity: Schenker, Corelli and the Graces Music Analysis, Vol. 18/2     Nolan, Catherine Review of Catherine Dale's dissertation on Schenkerian approach to Schoenberg Op. 10 Music Theory Spectrum, Vol. 16/2 (1994),     Pankhurst, Tom A Semiotic Approach to Tonal Closure in Nielsen's 4th Symphony Musical Semiotics Revisited (ed. Eero Tarasti), Acta Semiotica Fennica XV, Helsinki: International Semiotics Institute, 2003.     Pastille, William Music and morphology: Goethe's influence on Schenker#s thought Schenker Studies, (New York: Cambridge University 1990) 29-44     Pastille, William Schenker#s Value-Judgments Music Theory Online, Vol I/6 (Nov     Pastille, William The Development of the Ursatz in Schenker's Published Works Trends in Schenkerian Research (A. Cadwallader ed.), New Yo1rk: Schirmer, 1990, pp.71-86   Pastille, William The God of Abraham, Aquinas, and Schenker: Art as Faith in an Age of Unbelief Indiana Theory Review, Volume 16, Spring/Fall 1995     Pastille, William Alfred Ursatz: The Musical Philosophy of Heinrich Schenker (PhD diss: Cornell University, 1985). [DA 8525718]     Pastille, William H. Heinrich Schenker, Anti-Organicist Nineteenth Century Music, Vol. VIII/1 (1984), pp. 28-36.     Pearsall, Edward Harmonic Progressions and Prolongations in Post-Tonal Music Music Analysis, Vol. 10/3 (1991), pp.345-355     Petty, Wayne Koch, Schenker, and the Development Section of Sonata Forms by C.P.E. Bach Music Theory Spectrum, Volume 21, Number 2, Fall 1999     Pierce, Alexandra 'Developing Schenkerian Hearing and Performing' Integral Vol. 8 (1994), pp. 51-123.     Platt, Heather Anne Dramatic turning points in Brahms lieder Indiana Theory Review, Vol. XV/1 (spring, 1994) 69-104     Plotnikov, Boris On Dialectical Structure Creating Process in Shostakovich's Prelude op 34 No. XX [forthcoming winter 2000, in Webster Eunomios]     Plotnikov, Boris On Blending Schenkerian Techniques with Traditional Foreground Analysis (in English) in Tijdschrift voor Muziektheorie Vol. 2, (2000)     Plum, Otto Towards a Methodology for Schenkerian Analysis tr. Drabkin, Music Analysis, Vol. 7/2 (1988), pp     Porter, Steven Schenker Made Simple Studio City: Players Press, 2003   Proctor, Gregory; Herbert Lee Riggins Levels and the Reordering of Chapters in Schenker's Free Composition Music Theory Spectrum, Volume 10, 1988     Rast, N. A Checklist of Essays and Reviews by Heinrich Schenker Music Analysis, Vol. 7/2 (1988), pp. 121-132     Renwick, W. Analysing Fugue: A Schenkerian Approach Pendragon, 1995   Renwick, William Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II) Music Analysis, Vol. 14/1 (1995)     Renwick, William Brackets and Beams in Schenker's Graphic Notation Theoria, Vol. III (1988), pp. 73-85     Renwick, William Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II) Music Analysis, Volume 14, Number 1, March 1995     Review of Beach, Aspects of Schenkerian Theory   Music Analysis, Vol. 3/3 (1984), pp. 277     Riggins, Herbert L Change of Register in Schenker's Late Theoretical Works Indiana Theory Review, Vol. VI/1-2 (fall-winter 1982-83), pp. 63-75.     Riggins, Herbert L. Heinrich Schenker's Graphic Notation and Contemporary Variants (PhD diss.: U. of Texas, Austin, 1981) 278 p     Riggins, Herbert L. Neighbor Motion and its Graphic Notation in Schenker's Free Composition In Theory Only, Vol. VI/7 (December 1982), pp. 3 - 11     Rink, John Schenker and Improvisation Journal of Music Theory, Volume 37, Number 1, Spring 1993     Russ, Michael On Schenkerism: A Closed Circle of Elite Listeners? Music Analysis, Volume 12, Number 2, July 1993     Salzer, Felix Structural Hearing New York: Boni, 1952 Salzer, Felix; Carl Schachter Counterpoint in Composition , the Study of Voice Leading New York: McGraw-Hill, 1969 Schachter , Carl, Hedi, Siegel (eds.) Schenker Studies Vol 2 CUP, 1999 Schachter, Carl Unfoldings: Essays in Schenkerian Theory and Analysis OUP, 1999 Schachter, Carl The First Movement of Brahms's Second Symphony: the Opening Theme and its Consequences Music Analysis, Vol. 2/1 (1983), pp. 55-68     Schachter, Carl Analysis by Key: Another Look at Modulation Music Analysis, Vol. 6/3 (1987), pp. 289-318     Schachter, Carl Structure as Foreground: das Drama des Ursatzes Schenker Studies Two (Schachter ed.), Cambridge, 1999 Schachter, Carl The Triad as Place and Action Music Theory Spectrum, Vol. 17/2 (1995), pp. 149-169     Schenker Heinrich (1910),John Rothgeb (tr. ed.) Jurgen Thym (tr.) Counterpoint New York: Schirmer, 1987   Schenker, H. (1926) (trans. Siegel, H.) The Sarabande of J.S.Bach's Suite No.3 for unaccompanied violoncello, [BWV 1009] Music Forum 1970 p.274     Schenker, Heinrich The Opening of Beethoven's Sonata op. 111: a Letter by Heinrich Schenker Theory and Practice, Vol. VIII/1 (September 1983), pp. 3-13.     Schenker, Heinrich Beethoven: Funfte Synfonie Vienna, 1925 (3rd imprint UE, 1978)     Schenker, Heinrich Five graphic music analyses New York: Dover, 1969   Schenker, Heinrich The Spirit of Musical Technique Theoria, Vol III (1988) 86-104     Schenker, Heinrich J.S. Bach's Chromatic Fantasy and Fugue : Critical Edition With Commentary (Longman Music Series) Schirmer, 1984   Schenker, Heinrich Heinrich Schenker als Essayist und Kritiker : gesammelte Aufsèatze, Rezensionen und kleinere Berichte aus den Jahren 1891-1901 G. Olms   Schenker, Heinrich (1906), Oswald Jonas (ed.), E. Borgese (tr.) Harmony Chicago: UCP, 1954 (1968) Schenker, Heinrich (1921-24) William Drabkin (tr. & ed.) Der Tonwille : Pamphlets in Witness of the Immutable Laws of Music Oxford, 2002 Schenker, Heinrich (1925), William Drabkin (ed.), Ian Bent (trans.), Richard A. Kramer (trans.), John Rothgeb (trans.), Hedi Siegel (trans.) The Masterwork in Music:Volume I Cambridge: Cambridge UP, 1994. Schenker, Heinrich (1926), William Drabkin (ed. & trans), Ian Bent (trans.), John Rothgeb (trans.), Hedi Siegel (trans.) The Masterwork in Music:Volume II Cambridge: Cambridge UP, 1996.   Schenker, Heinrich (1930), William Drabkin (ed. & trans), Ian Bent (trans.), Alfred Clayton (trans.), Derrick Puffett (trans.) The Masterwork in Music:Volume III Cambridge: Cambridge UP, 1996. Schenker, Heinrich (1935), Ernst Oster(tr.) Free composition New York: Longman, 1979   Schenker, Heinrich (tr. Hedi Siegel) A Contribution to the Study of Ornamentation The Music Forum, IV (1976), pp. 1-139.     Schenker, Heinrich (tr. Ian Bent) The Masterwork in the Music Music Analysis, Vol. 5/2-3 (1986), pp. 187ff     Schenker, Heinrich, (tr. ?) Elucidations Current Musicology, Vol. 28 (1979)     Schenker, Heinrich, (tr. Pascall, Robert) Ihr Bild (August 1828): Song by Franz Schubert to a Lyric by Heinrich Heine Music Analysis, Vol. 19/1 (2000), pp. 2-9     Schenker, Heinrich, Arthur Maisel (comm.), Hedi Siegel (intro.) Graphic analysis of Brahms's Auf dem Kirchhofe, op. 105, no. 4 Practice , Vol. XIII (1990), pp.     Schenker, Heinrich, Jonathan Dunsby (trans.), Horst B. Loeschmann (trans.) Three Essays from Neue revue (1894-97) Music Analysis, Vol. 7/2 (1988), pp. 133-141     Schenker, Heinrich; (Hedi Siegel; Arthur Maisel) Heinrich Schenker: Graphic Analysis of Brahms's 'Auf dem Kirchhofe', Op. 105, No. 4 Theory and Practice, Volume 13, 1988     Schenker, Heinrich; Heribert Esser (Ed.); Irene Schreier Scott (Tr.) The Art of Performance Oxford: OUP, 2000 Schenker, Heinrich; John Rothgeb (Tr.) Beethoven's Ninth Symphony : A Portrayal of Its Musical Content, With Running Commentary on Performance and Literature As Well Yale: YUP, 1992   Schmalfeldt, Janet Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form Music Analysis, Vol. 10/3 (1991), pp. 233-287     Siegel, Hedi (ed.) Schenker Studies New York: Cambridge U., 1990   Smith, Charles J. Musical Form and Fundamental Structure: An Investigation of Schenker's Formenlehre Music Analysis, Vol. 15/2-3 (1996), pp. 191-297     Smith, P.H. Brahms and motivic 6/3 chords Music Analysis, Vol. 16/2 (1997), pp. 175-2??     Smith, Peter Structural or Apparent Tonic: Parametric Conflict, Temporal Perspective, and a Continuum of Articulative Possibilities Journal of Music Theory, Vol. 39:2 (1995), pp. 245-83     Smyth, D. Schenker's octave lines reconsidered Journal of Music Theory, Vol 43 (1999)     Smyth, David H. "Balanced Interruption" and the Formal Repeat Music Theory Spectrum, Vol. 15/1 (1993), pp. 76-88     Snarrenberg Robert Competing Myths: The American Abandonment of Schenker#s Organicism Theory, Analysis and Meaning in Music (Pople, A. ed.), Cambridge: CUP, 1994     Snarrenberg, Robert Schenker's Interpretative Practice Cambridge University Press, 1997 Snyder, John L Schenker and the first movement of Mozart's sonata K.545: An uninterrupted sonata-form movement? Theory and Practice, Vol.XVI (1991) 51-78     Sobaskie, James Allusion in the Music of Gabriel Faure in Regarding Faure (ed. Tom Gordon), Amsterdam: Gordon and Breach, 1999. pp. 163-205 Sobaskie, James Precursive Prolongation in the Préludes of Chopin Journal of the Society for Musicology in Ireland, Vol. 3 (2007/8)     Sobaskie, JW Review of Snarrenberg, Schenker's interpretive practice Notes, Vol. 55 (1999)     Solie, Ruth The living work: organicism and musical analysis Nineteenth Century Music Vol 4 (1980), pp. 147-156     Stein, Deborah Hugo Wolf's "Lieder" and Extensions of Tonality Ann Arbor: UMI, 1985.   Stock, Jonathan The Application of Schenkerian Analysis to Ethnomusicology: Problems and Possibilities Music Analysis, Volume 12, Number 2, July 1993     Straus, Joseph N. The Problem of Prolongation in Post Tonal Music Journal of Music Theory, Vol. 31 (1987), pp. 1-21     Suuroaa, Lauri The Path from Tonic to Dominant in the Second Movement of Schubert's String Quintet and in Chopin's Fourth Ballade Journal of Music Theory, 44/2 (2000), 451-485.     Tarasti, Eero A Theory of Musical Semiotics Indiana: IUP, 1994 Wagner, Naphtali No Crossing Branches? The Overlapping Technique in Schenkerian Analysis Theory and Practice, Volume 20, 1995     Waldeck, Arthur, Nathan Broder Musical Synthesis as Expounded by Heinrich Schenker Theory and Practice, Vol. X/1-2 (July-December 1985), pp. 63 73     Wason, Robert Schenker's Notion of Scale-Step in Historical Perspective: Non-Essential Harmonies in Viennese Fundamental Bass Theory Journal of Music Theory, Volume 27, Number 1, Spring 1983     Wason, Robert W. Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg (Studies in Musicology, No 80) UMI Research Press, 1985   Williamson, John on Mahler Introductions Music Analysis, Vol. 5/1 (1986), pp.     Wintle Kontra-Schenker: Largo e Mesto from Beethoven's Op.10 No.3 Music Analysis, Vol. 4/1 (1985), pp. 145-182     Wintle, Christopher "Skin and bones": The C-minor Prelude from J.S. Bach's Well-Tempered Clavier, Book II Music Analysis, Vol. 5/2-3 (1986), pp. 85-96     Yeston, Maury (ed.) Readings in Schenker and Other Approache New Haven and London: Yale U. 1977   [Introductions] [Essays] [Writings] [Specific Technical Points] [Analyses] [Philosophy] [General Clarifications] [Suggestions for Substantial Revisions] [Extensions of Theory] [Historical Development] [Semiotic Approaches] [Bibliographies and Misc] [All Books] [back / top] © Copyright Thomas Pankhurst