| SchenkerGuide : Bibliography :
Writings |
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| Author |
Title |
Publisher |
Cover |
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| Broyles, Michael | Review of Rothgebs tr. of Schenker's 9th Symphony monograph | Music Theory Spectrum, Vol. 16/1 (1994), pp. 139-144 | | |
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| Musgrave, Michael | Review of Der freie Satz | Music Analysis, Vol. 1/1 (1982), pp. 101 | | |
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| Schenker Heinrich (1910),John Rothgeb (tr. ed.) Jurgen Thym (tr.) | Counterpoint | New York: Schirmer, 1987 | |   |
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| Schenker, H. (1926) (trans. Siegel, H.) | The Sarabande of J.S.Bach's Suite No.3 for unaccompanied violoncello, [BWV 1009] | Music Forum 1970 p.274 | | |
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| Schenker, Heinrich | The Opening of Beethoven's Sonata op. 111: a Letter by Heinrich Schenker | Theory and Practice, Vol. VIII/1 (September 1983), pp. 3-13. | | |
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| Schenker, Heinrich | Beethoven: Funfte Synfonie | Vienna, 1925 (3rd imprint UE, 1978) | | |
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| Schenker, Heinrich | Five graphic music analyses | New York: Dover, 1969 | | |
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| Schenker, Heinrich | The Spirit of Musical Technique | Theoria, Vol III (1988) 86-104 | | |
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| Schenker, Heinrich | J.S. Bach's Chromatic Fantasy and Fugue : Critical Edition With Commentary (Longman Music Series) | Schirmer, 1984 | | |
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| Schenker, Heinrich | Heinrich Schenker als Essayist und Kritiker : gesammelte Aufsčatze, Rezensionen und kleinere Berichte aus den Jahren 1891-1901 | G. Olms | | |
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| Schenker, Heinrich (1906), Oswald Jonas (ed.), E. Borgese (tr.) | Harmony | Chicago: UCP, 1954 (1968) |  | |
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| Schenker, Heinrich (1921-24) William Drabkin (tr. & ed.) | Der Tonwille : Pamphlets in Witness of the Immutable Laws of Music | Oxford, 2002 |  | |
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| Schenker, Heinrich (1925), William Drabkin (ed.), Ian Bent (trans.), Richard A. Kramer (trans.), John Rothgeb (trans.), Hedi Siegel (trans.) | The Masterwork in Music:Volume I | Cambridge: Cambridge UP, 1994. |  | |
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| Schenker, Heinrich (1926), William Drabkin (ed. & trans), Ian Bent (trans.), John Rothgeb (trans.), Hedi Siegel (trans.) | The Masterwork in Music:Volume II | Cambridge: Cambridge UP, 1996. | | |
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| Schenker, Heinrich (1930), William Drabkin (ed. & trans), Ian Bent (trans.), Alfred Clayton (trans.), Derrick Puffett (trans.) | The Masterwork in Music:Volume III | Cambridge: Cambridge UP, 1996. |  | |
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| Schenker, Heinrich (1935), Ernst Oster(tr.) | Free composition | New York: Longman, 1979 | | |
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| Schenker, Heinrich (tr. Hedi Siegel) | A Contribution to the Study of Ornamentation | The Music Forum, IV (1976), pp. 1-139. | | |
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| Schenker, Heinrich (tr. Ian Bent) | The Masterwork in the Music | Music Analysis, Vol. 5/2-3 (1986), pp. 187ff | | |
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| Schenker, Heinrich, (tr. ?) | Elucidations | Current Musicology, Vol. 28 (1979) | | |
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| Schenker, Heinrich, (tr. Pascall, Robert) | Ihr Bild (August 1828): Song by Franz Schubert to a Lyric by Heinrich Heine | Music Analysis, Vol. 19/1 (2000), pp. 2-9 | | |
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| Schenker, Heinrich, Arthur Maisel (comm.), Hedi Siegel (intro.) | Graphic analysis of Brahms's Auf dem Kirchhofe, op. 105, no. 4 | Practice , Vol. XIII (1990), pp. | | |
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| Schenker, Heinrich, Jonathan Dunsby (trans.), Horst B. Loeschmann (trans.) | Three Essays from Neue revue (1894-97) | Music Analysis, Vol. 7/2 (1988), pp. 133-141 | | |
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| Schenker, Heinrich; (Hedi Siegel; Arthur Maisel) | Heinrich Schenker: Graphic Analysis of Brahms's 'Auf dem Kirchhofe', Op. 105, No. 4 | Theory and Practice, Volume 13, 1988 | | |
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| Schenker, Heinrich; Heribert Esser (Ed.); Irene Schreier Scott (Tr.) | The Art of Performance | Oxford: OUP, 2000 |  | |
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| Schenker, Heinrich; John Rothgeb (Tr.) | Beethoven's Ninth Symphony : A Portrayal of Its Musical Content, With Running Commentary on Performance and Literature As Well | Yale: YUP, 1992 | | |
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[Introductions]
[Essays]
[Writings]
[Specific Technical Points]
[Analyses]
[Philosophy]
[General Clarifications]
[Suggestions for Substantial Revisions]
[Extensions of Theory]
[Historical Development]
[Semiotic Approaches]
[Bibliographies and Misc]
[All Books]
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