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| SchenkerGuide : Bibliography :
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| Author |
Title |
Publisher |
Cover |
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| - Pankhurst, Tom | SchenkerGUIDE: A Brief Handbook and Web Site for Schenkerian Analysis | New York: Routledge, 2008 |  |   |
| | Ayotte, Benjamin | Heinrich Schenker: A Guide to Research | Routledge, 2003 | |   |
| | Baker, James | Post Tonal Voice-Leading | Early C20 Music (ed. J. Dunsby), Oxford: Blackwell, 1993, pp. 20-41 | |   |
| | Berry, David Carson | A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices | Pendragon Press | |   |
| | Blasius, Leslie D. | Schenker's Argument and the Claims of Music Theory | CUP, 1996 |  |   |
| | Cadwallader, Allen (ed.) | Trends in Schenkerian Research | New York: Schirmer, 1990 | |   |
| | Cadwallader, Allen, Gagne, David | Analysis of Tonal Music: A Schenkerian Approach | Oxford, 1988 |  |   |
| | Cook, Nicholas | 'Schenkerian Analysis' | A Guide to Musical Analysis, Oxford: OUP, 1987 | |   |
| | Cube, Felix-Eberhard von., (Trans. ed. D. Neumeyer, G. Boyd, S. Harris) | The Book of the Musical Artwork: An Interpretation of the Theories of Heinrich Schenker, | Lewiston, NY: Edwin Mellen Press, 1987 | |   |
| | Dunsby, Johnathan; Whittall, Arnold | Schenker the Theorist; Schenkerian Analysis and Developments of Schenker | in Music Analysis: In Theory and Practice, London: Faber & Faber, 1988. | |   |
| | Forte, Allen, Gilbert, Steven, | Introduction to Schenkerian Analysis | New York. 1982 |  |   |
| | Fux, Johann Joseph; Alfred Mann (Tr.) | The Study of Counterpoint | London: Norton, 1965 |  |   |
| | Jonas, Oswald | Introduction to the Theory of Heinrich Schenker: the Nature of the Musical Work of Art | New York: Longman, 1982 | |   |
| | Laskowski, Larry | Heinrich Schenker, an Annotated Index to his Analyses of Musical Works: Compiled and Annotated by Larry Laskowski | New York | |   |
| | Lerdahl, F.R. Jackendoff | A Generative Theory of Tonal Music | Cambridge (Mass.): MIT, 1983 |  |   |
| | Narmour, Eugene | Beyond Schenkerism: The Need for Alternatives in Musical Analysis | Chicago, 1977 | |   |
| | Neumeyer, David | A Guide to Schenkerian Analysis | Prentice Hall, 1992 |  |   |
| | Pastille, William | The Development of the Ursatz in Schenker's Published Works | Trends in Schenkerian Research (A. Cadwallader ed.), New Yo1rk: Schirmer, 1990, pp.71-86 | |   |
| | Porter, Steven | Schenker Made Simple | Studio City: Players Press, 2003 | |   |
| | Renwick, W. | Analysing Fugue: A Schenkerian Approach | Pendragon, 1995 | |   |
| | Salzer, Felix | Structural Hearing | New York: Boni, 1952 |  |   |
| | Salzer, Felix; Carl Schachter | Counterpoint in Composition , the Study of Voice Leading | New York: McGraw-Hill, 1969 |  |   |
| | Schachter , Carl, Hedi, Siegel (eds.) | Schenker Studies Vol 2 | CUP, 1999 |  |   |
| | Schachter, Carl | Unfoldings: Essays in Schenkerian Theory and Analysis | OUP, 1999 |  |   |
| | Schachter, Carl | Structure as Foreground: das Drama des Ursatzes | Schenker Studies Two (Schachter ed.), Cambridge, 1999 |  |   |
| | Schenker Heinrich (1910),John Rothgeb (tr. ed.) Jurgen Thym (tr.) | Counterpoint | New York: Schirmer, 1987 | |   |
| | Schenker, Heinrich | Five graphic music analyses | New York: Dover, 1969 | |   |
| | Schenker, Heinrich | J.S. Bach's Chromatic Fantasy and Fugue : Critical Edition With Commentary (Longman Music Series) | Schirmer, 1984 | |   |
| | Schenker, Heinrich | Heinrich Schenker als Essayist und Kritiker : gesammelte Aufsčatze, Rezensionen und kleinere Berichte aus den Jahren 1891-1901 | G. Olms | |   |
| | Schenker, Heinrich (1906), Oswald Jonas (ed.), E. Borgese (tr.) | Harmony | Chicago: UCP, 1954 (1968) |  |   |
| | Schenker, Heinrich (1921-24) William Drabkin (tr. & ed.) | Der Tonwille : Pamphlets in Witness of the Immutable Laws of Music | Oxford, 2002 |  |   |
| | Schenker, Heinrich (1925), William Drabkin (ed.), Ian Bent (trans.), Richard A. Kramer (trans.), John Rothgeb (trans.), Hedi Siegel (trans.) | The Masterwork in Music:Volume I | Cambridge: Cambridge UP, 1994. |  |   |
| | Schenker, Heinrich (1926), William Drabkin (ed. & trans), Ian Bent (trans.), John Rothgeb (trans.), Hedi Siegel (trans.) | The Masterwork in Music:Volume II | Cambridge: Cambridge UP, 1996. | |   |
| | Schenker, Heinrich (1930), William Drabkin (ed. & trans), Ian Bent (trans.), Alfred Clayton (trans.), Derrick Puffett (trans.) | The Masterwork in Music:Volume III | Cambridge: Cambridge UP, 1996. |  |   |
| | Schenker, Heinrich (1935), Ernst Oster(tr.) | Free composition | New York: Longman, 1979 | |   |
| | Schenker, Heinrich; Heribert Esser (Ed.); Irene Schreier Scott (Tr.) | The Art of Performance | Oxford: OUP, 2000 |  |   |
| | Schenker, Heinrich; John Rothgeb (Tr.) | Beethoven's Ninth Symphony : A Portrayal of Its Musical Content, With Running Commentary on Performance and Literature As Well | Yale: YUP, 1992 | |   |
| | Siegel, Hedi (ed.) | Schenker Studies | New York: Cambridge U., 1990 | |   |
| | Snarrenberg, Robert | Schenker's Interpretative Practice | Cambridge University Press, 1997 |  |   |
| | Sobaskie, James | Allusion in the Music of Gabriel Faure | in Regarding Faure (ed. Tom Gordon), Amsterdam: Gordon and Breach, 1999. pp. 163-205 |  |   |
| | Stein, Deborah | Hugo Wolf's "Lieder" and Extensions of Tonality | Ann Arbor: UMI, 1985. | |   |
| | Tarasti, Eero | A Theory of Musical Semiotics | Indiana: IUP, 1994 |  |   |
| | Wason, Robert W. | Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg (Studies in Musicology, No 80) | UMI Research Press, 1985 | |   |
| | Yeston, Maury (ed.) | Readings in Schenker and Other Approache | New Haven and London: Yale U. 1977 | |   |
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[Introductions]
[Essays]
[Writings]
[Specific Technical Points]
[Analyses]
[Philosophy]
[General Clarifications]
[Suggestions for Substantial Revisions]
[Extensions of Theory]
[Historical Development]
[Semiotic Approaches]
[Bibliographies and Misc]
[All Books]
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